Konstantin Lifschitz was born on December 10,
1976, in Russia. As a very small child, he became irresistibly
attracted to the piano, playing by ear and improvising with total
absorption for hours on end. This aptitude for his chosen instrument
was so remarkable that at age five he enrolled in the renowned
Moscow Gnessin Special Middle School of Music, studying with Tatiana
Zelikman. In future years of studies in Russia, England and Italy
his teachers included Alfred Brendel, Fou T'song, Leon Fleisher,
Rosalyn Tureck and Charles Rosen.

In
the early 1990s the Russian Culture Foundation awarded him a scholarship.
Soon afterwards he performed in Paris, Munich, Milan and other
prominent music centres in Europe. The "New Names" programme
brought
Konstantin Lifschitz to the attention
of renowned conductor Vladimir Spivakov, who immediately arranged
for Konstantin to perform as soloist with the Moscow Virtuosi
in Moscow and on tour in Japan performing Bach’s Concerto
in D minor in Tokyo, Osaka, Hiroshima and Sapporo. Following this
tour, he performed with Spivakov in Monte Carlo and Antibes in
performances of Chopin’s Piano Concerto No. 1 with the Orchestre
Philharmonique de Monte Carlo.
At
13, Konstantin presented a landmark recital in the chamber hall
of the Russian Academy of Music. The capacity crowd responded
with an overwhelming enthusiasm that even then established him
as a major artist. In 1994, Konstantin Lifschitz presented his
graduation recital from the Gnessin School – his program
commenced with Bach’s
Goldberg Variations. Denon
Nippon Columbia recorded the 17-year-old in this deeply felt interpretation
of his beloved Bach. The recording, when released in 1996, was
nominated for a Grammy Award and moved critic Edward Rothstein
of The New York Times to acclaim Konstantin’s performance
"the most powerful pianistic interpretation since Glenn Gould’s."
In 1995 he won the German Echo Classic Record Prize, as a "New
Young Artist" of the year.
Konstantin Lifschitz is also a dedicated chamber
musician, performing with major artists including the violinists
Gidon Kremer, Dmitry Sitkovetsky, Maxim Vengerov, Patricia Kopatchinskaia
and Leila Josefowicz, and the cellists Misha Maisky, Sol Gabetta,
Mstislav Rostropovitch and Lynn Harrell.
Highlights of the 06/07 season included, amongst others, concerts
in the Wigmore Hall, at the Perth International Arts Festival,
at the Hong Kong Arts Festival and at the Rheingau Music Festival.
In the 07/08 season
Konstantin Lifschitz was
re-invited to play a recital at the Wigmore Hall. This engagement
was followed by concerts in St. Petersburg with the St. Petersburg
Symphony Orchestra under Vassili Petrenko as well as with the
SWR-Sinfonieorchester under the direction of Fabrice Bollon and
Prokofiev piano concerto no 2. In summer 2008, Konstantin Lifschitz
will be heard again at the Rheingau Music Festival, this time
with Bach English Suites IV, V and VI.
In autumn 2008
Konstantin Lifschitz will be heard
with the Schostakowitch piano concerto Nr. 2 and the Theater Philharmonie
Essen under the baton of Constantinos Carydis. Following these
concerts he will be touring Germany with the Musica Viva Orchestra.
Konstantin Lifschitz latest recording for the
label Orfeo contains Bach, Musical Offering BWV 107, Praeludium
and Fugue, BWV 552 and Frescobaldi Three Toccatas.