
Was
born in 1954 in Roman, Romania. Graduate of National Univer sity
of Music in Bucharest (1980), chair composition, under Stefan
Niculescu. Further studies at the above mentioned University (1980-
1981).He attended the courses of the International Seminar on
compo sition in Kasimiersz-Dolni (1984), where he studied with
Iannis Xe- nakis. He made documentation journeys to Paris, London,
Prague, Ta llin, Warsaw, Moscow. Founder and artistic director
of ARCHAEUS Ensemble, with which he has participated in important
international musical reunions. He conducted more 500 concerts
in Romania, Moldavia, Italy, Spain, Germany, England, Ireland,
Portugal, Russia, Slo vakia, U.S.A., Korea, Finland, France, Austria,
Hungary, Ukraine, Al bania, Switzerland, Danmark, Belgium, Bulgaria,
Serbia. Artistic director of the Contemporary Music Days in Bacau
(since 1992), and The New Music Week in Bucharest (1992-1996 and
2001-2002). President of ISCM Romanian Department (1991-1994).
He teaches history of music and composition at the National University
of Music and theory of the musical instruments at Spiru Haret
University in Bucharest. He gave lectures at Hochschule fur Musik
in Munchen and Detmold abteilung Munster, the Experimental Music
Centre of University of Music in Carbondale, Conservatories of
Dijon, Alcoi, Lyon, Centre for contemporary music ªPomerigi di
Musica Nuova" Torino, Union of Composers in Moscow. He has made
numerous Radio and Television programmes, both in Romania and
abroad, and has won many awards such as the ªStudium de Toulouse
Prize (1986), the ATM Prize (1987), the UCMR Prize (1988, 1990,
1994, 2000,2004, 2006), Romanian Academy Prize (1988),ACIN Prize
(music for film, 1988), SOROS Prize (1997) etc. His works have
been recorded (LP, CD, Audio cassettes) in Romania, France, Spain,
Italy, Holland. U.S.A.. Germany). He has published studies, essays,
articles, musical chronicles, interviews in various Rumanian and
foreign magazines. Works have been commissioned to him by festivals,
associations and performers like: Antidogma Musica (Torino), Musica
Nova (Alicante), ENSEMS (Valencia), Oficina Musical (Porto), Trieste
Prima, Musique en Scene (Lyon), Composers Concordance (New York),
DePaul University (Chicago),Cleveland Chamber Symphony, Concorde
(Dublin). Doctor in Musicology at University of Music in Bucharest.
SEVEN DAYS, op.56 Ã concerto for trombone and orchestra was composed
in 1991. Made of seven sections (the last has a revising structure),
the work belongs to the pilgrim hypostases of Liviu DanceanuÇs
composition line, a hypostasis issued aut of the desire to build
up syntheses, to realize a sonorous whole by the harmonization
of some antinomies, of some contrasts.
Thus, to the ascending spectrum of the natural harmonics the composer
opposed the descending spectrum of the artificial harmonics. At
the same time, Liviu Danceanu reunited in the same work the expositive
music with the progressing music, the repetion music with the
evolutional (transforming) music, the discontinuous music with
the continuous, torential one. However, in SEVEN DAYS is feeled
the nostalgy of the other virtual or present hypostases of the
voyager composer: the travelerÇs, missionaryÇs, explorerÇs or
conquistadorÇs nostalgy, even if the will and decision are hose
of the pilgrim.