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Liviu Danceanu
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Was born in 1954 in Roman, Romania. Graduate of National Univer sity of Music in Bucharest (1980), chair composition, under Stefan Niculescu. Further studies at the above mentioned University (1980- 1981).He attended the courses of the International Seminar on compo sition in Kasimiersz-Dolni (1984), where he studied with Iannis Xe- nakis. He made documentation journeys to Paris, London, Prague, Ta llin, Warsaw, Moscow. Founder and artistic director of ARCHAEUS Ensemble, with which he has participated in important international musical reunions. He conducted more 500 concerts in Romania, Moldavia, Italy, Spain, Germany, England, Ireland, Portugal, Russia, Slo vakia, U.S.A., Korea, Finland, France, Austria, Hungary, Ukraine, Al bania, Switzerland, Danmark, Belgium, Bulgaria, Serbia. Artistic director of the Contemporary Music Days in Bacau (since 1992), and The New Music Week in Bucharest (1992-1996 and 2001-2002). President of ISCM Romanian Department (1991-1994). He teaches history of music and composition at the National University of Music and theory of the musical instruments at Spiru Haret University in Bucharest. He gave lectures at Hochschule fur Musik in Munchen and Detmold abteilung Munster, the Experimental Music Centre of University of Music in Carbondale, Conservatories of Dijon, Alcoi, Lyon, Centre for contemporary music ªPomerigi di Musica Nuova" Torino, Union of Composers in Moscow. He has made numerous Radio and Television programmes, both in Romania and abroad, and has won many awards such as the ªStudium de Toulouse Prize (1986), the ATM Prize (1987), the UCMR Prize (1988, 1990, 1994, 2000,2004, 2006), Romanian Academy Prize (1988),ACIN Prize (music for film, 1988), SOROS Prize (1997) etc. His works have been recorded (LP, CD, Audio cassettes) in Romania, France, Spain, Italy, Holland. U.S.A.. Germany). He has published studies, essays, articles, musical chronicles, interviews in various Rumanian and foreign magazines. Works have been commissioned to him by festivals, associations and performers like: Antidogma Musica (Torino), Musica Nova (Alicante), ENSEMS (Valencia), Oficina Musical (Porto), Trieste Prima, Musique en Scene (Lyon), Composers Concordance (New York), DePaul University (Chicago),Cleveland Chamber Symphony, Concorde (Dublin). Doctor in Musicology at University of Music in Bucharest. SEVEN DAYS, op.56 Ã concerto for trombone and orchestra was composed in 1991. Made of seven sections (the last has a revising structure), the work belongs to the pilgrim hypostases of Liviu DanceanuÇs composition line, a hypostasis issued aut of the desire to build up syntheses, to realize a sonorous whole by the harmonization of some antinomies, of some contrasts.

Thus, to the ascending spectrum of the natural harmonics the composer opposed the descending spectrum of the artificial harmonics. At the same time, Liviu Danceanu reunited in the same work the expositive music with the progressing music, the repetion music with the evolutional (transforming) music, the discontinuous music with the continuous, torential one. However, in SEVEN DAYS is feeled the nostalgy of the other virtual or present hypostases of the voyager composer: the travelerÇs, missionaryÇs, explorerÇs or conquistadorÇs nostalgy, even if the will and decision are hose of the pilgrim.


 
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