Mathieu Dubroca was born in 1981. He first studied the bassoon at the Conservatoire of Bordeaux and then graduated as a singer from the Conservatoire of Paris in 2007.

Since then he has been cast in a wide variety of parts ranging from Papageno in The Magic Flute to the Dancaïre in Carmen, Dandini in Cenerentola, Ulisse in Il ritorno d’Ulysse in Patria and Aeneas in Dido and Aeneas, in venues such as Le Théâtre des Champs Elysées in Paris, l’opéra de Rouen, l’opéra de Reims, L’Athénée Louis Jouvet in Paris, various festivals (Festival de la Chaise-Dieu, Festival Berlioz in a Côte-Saint-André).

His experience within the Stadtheater company in Koblenz-Germany, where he was cast as the lead for the German creation of Des Boulingrins by Georges Aperghis, reinforced his taste for the contemporary repertoire which fostered regular collaborations with IRCAM and with musical ensembles such as Le Balcon (directed by Maxime Pascal) and L’itinéraire. He performs music by composers including Michaël Lévinas, Aurélien Dumont, Georges Aperghis, Mauro Lanza.

In 2019 he created the role of Jesus in La Passion selon Saint-Marc by Michaël Levinas in Lausanne, which he then performed at la Philharmonie de Paris with the Paris Chamber Orchestra.

He also enjoys lighter repertoires and works with companies like Les Brigands (Yes!, Les p’tites Michu) and Les Frivolités Parisiennes (Le Petit Duc, Le Diable à Paris, Là-Haut).

His recordings include Fauré’s Requiem as solo baritone with Les Sièclesorchestra and Aedes vocal ensemble, directed by Mathieu Romano (Aparté, 2019) and Le Diable à Paris with Les Frivolités Parisiennes, directed by Dylan Corlay (B-records, 2021).