Paul Curievici’s current and future plans include roles such as the High Priest of Amon in Akhnaten at the English National Opera, First Jew in Salome at the Royal Opera House Covent Garden, Tichon in Katja Kabanova and Nick in The Handmaid’s Tale at the Royal Danish Opera, The Marquis in The Gambler at the Martina Franca Festival, Mortimer in Lessons in Love and Violence with the Mahler Chamber Orchestra, Karl Rossmann in Haubenstock-Ramati’s Amerika at the Oper Zürich, Le Grand Macabre and The Snow Queen at Concertgebouw.

Recent engagements have included Steva in Jenůfa at the Norwegian Opera, Luisa Miller at the Glyndebourne Festival, Saint Francoise d’Assise and Percy Bysshe Shelley in Michael Wertmüller’s Diodati. Unendlich at Theater Basel, Candide (title role) at the Komische Oper Berlin, Melot in Tristan und Isolde, Pirelli in Sweeney Todd, Raul in The Exterminating Angel with the Royal Danish Opera, Mortimer in Lessons in Love and Violence (cancelled due to C19) at Theater St Gallen, Flute in A Midsummer Night’s Dream and Melot in Tristan und Isolde at Opéra de Montpellier, and Les Enfants Terribles with The Royal Ballet.

Other engagements have included Barry’s The Importance of Being Earnest, Eames in The Virtues of Things, and Second Jew in Salome at the Royal Opera House Covent Garden, Elemer in Arabella, Jack in The Rise and Fall of the City of Mahagonny and Guidobald in Die Gezeichneten at Oper Zürich, Pedrillo in Die Entführung aus dem Serail at the Grange Festival, Don Curzio/Don Basilio in Le nozze di Figaro with the Scottish Opera, Painter in Olga Neuwirth’s American Lulu with The Opera Group at the Young Vic, Bregenzer Festspiele and Edinburgh Festival, First Jew in Salome with the Northern Ireland Opera, Bournemouth Symphony Orchestra, Orchestre National de Lyon and ENO, and Dionysus in The Bassarids (cover) at Opera di Roma. He sang in Gerald Barry’s The Importance of Being Earnest at Barbican and Lincoln Center with the New York Philharmonic, Sam Kaplan in Street Scene with The Opera Group at Liceu Barcelona and Théâtre du Châtelet, Stephen in Huw Watkins’ In the Locked Room at the Music Theatre Wales and Scottish Opera, and Henze’s song cycle Voices at Barbican. 

Paul studied at the Guildhall School of Music and Drama.